Electronic Music: Systems, techniques, and controls

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Author: Allen Strange

Pages: 160

Size: 1.630,11 Kb

Publication Date: February 1,1972

Category: MIDI, Mixers, etc.



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In the first 1960s the development of integrated electronic music systems and voltage-controlled modules began a fresh period of electronic music. This reserve will describe and describe these digital music approaches for the composer/musician/listener who’s unfamiliar with them, and can discuss, in laymen’s conditions, the techniques open to the digital music author of this decade. What exactly are the procedures the “digital composer” follows to create a composition? What exactly are the parameters mixed up in production of digital music? What exactly are the available methods and just how do they function? “Typical music” composers have numerous devices such as for example homophony, polyphony, inversion, retrograde, dodecophonic systems, tonality, aleatory procedures, etc, that they could or may not make use of in the creation of their talent. (from the Preface) The relative simple the newer methods involved, combined with the publicity which accompanied the industrial aspiration of the producers of digital music systems, caused a sudden audience/composer charm to electronic music. Just as, digital music composers utilize numerous techniques and methods, occasionally in conjunction with “conventional” methods and sometimes completely aside from those areas of structuring sound.


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