The Fantastic: A Structural Approach to a Literary Genre

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Author: Tzvetan Todorov

Pages: 190

Size: 1.865,96 Kb

Publication Date: May 31,1975

Category: History & Criticism



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In THE GREAT, Tzvetan Todorov seeks to examine both generic theory and a specific genre, moving backwards and forwards between a poetics of the great itself and a metapoetics or theory of theorizing, even while he claim that one must, as a critic, move backwards and forwards between theory and background, between idea and reality. His focus on the fantastic is definitely in regards to a historical phenomenon that people recognize, about specific functions that people may read, nonetheless it is usually also about the utilization and misuse of generic theory.

As an essay in fictional poetics, THE GREAT is normally consciously structuralist in its method of the generic subject matter. Poe.

A. Hoffman, Charles Perrault, Man de Maupassant, Nicolai Gogol, and Edgar A. Todorov seeks linguistic bases for the structural features he notes in a number of fantastic texts, which includes Potocki’s The Sargasso Manuscript, Nerval’s Aurélia, Balzac’s The Magic Epidermis, the Arabian Nights, Cazotte’s Le Diable Amoureux, Kafka’s The Metamorphosis, and tales by Electronic. T.


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